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#1
I found that it does not quite reach the full range for the GM-800. For example, if you choose a pitch expression of 12 you will not quite get a full octave shift. Perhaps a slightly lower value than 1K would fix that. But of course there is usually not great precision in expression control so you could also choose a range of 13 and get that octave plus a little more. For volume control, not getting to exactly 100% is generally no problem.
#2
Boss SY-1000 - General Discussion / Re: All said and done
Last post by ffata - Today at 03:23:42 PM
Quote from: Bill Ruppert on March 26, 2024, 06:19:25 PMAll said and done, the Boss SY-1000 is a monster.
It does have some problems in some areas, but overall it is such an amazement.
Not sure what I would do without it.

I don't own one, (yet!, still with "just" my VG-99) was wondering, do you use it more with mag or hex pickups?
Thanks, Fred
#3
Some Roland /Boss devices can use guitar input level as a Controller Source, but afaik none allow a Control Target Assignment of MIDI CC#
#4
Quote from: admin_shawnb on Today at 11:47:00 AMThe only real difference, as far as I can tell, is that you can choose to have the "string envelope" - which represents the current volume level of the string over time - sent continuously also.  You can choose which midi message to use, any CC or Channel Pressure messages.

Seems minor, but it's very refreshing to have the midi notes decay naturally, mapped to the physical string decay.

This is a massive thing - the range of expression it would open up as a modulation source on the Roland devices would be amazing.
#5
Quote from: admin_shawnb on Today at 11:47:00 AMLearned a lot more about its MPE implementation watching it on a midi monitor...

For the most part, MPE here translates to MIDI mono mode 4.  They are emphasizing each string has its own channel, notes, & pitch wheel.

The only real difference, as far as I can tell, is that you can choose to have the "string envelope" - which represents the current volume level of the string over time - sent continuously also.  You can choose which midi message to use, any CC or Channel Pressure messages.

Seems minor, but it's very refreshing to have the midi notes decay naturally, mapped to the physical string decay.

As I said earlier, a different experience.  Very natural feeling.   The sound more closely matches what you can feel with your hands on the guitar.

Now I really wish Boss/Roland had this...  In hindsight, a gap.

Note that of course you can also map that to modulation, or filter cutoff, or Q, etc.

Online description:
https://support.jamstik.com/hc/en-us/articles/360061090831-MPE-Explained-What-You-Should-Know-About-MPE-the-Jamstik-MIDI-Guitars

Manual, pg 10:
https://cdn.shopify.com/s/files/1/0348/1157/files/Jamstik_MIDI_Guitar_Manual.pdf?v=1689877602

^^^
This is perhaps the best knowledge post about the Jamstik MIDI STUDIO features Ive ever read. ( Ive forwarded to Boss)
#6
Learned a lot more about its MPE implementation watching it on a midi monitor...

For the most part, MPE here translates to MIDI mono mode 4.  They are emphasizing each string has its own channel, notes, & pitch wheel.

The only real difference, as far as I can tell, is that you can choose to have the "string envelope" - which represents the current volume level of the string over time - sent continuously also.  You can choose which midi message to use, any CC or Channel Pressure messages.

Seems minor, but it's very refreshing to have the midi notes decay naturally, mapped to the physical string decay.

As I said earlier, a different experience.  Very natural feeling.   The sound more closely matches what you can feel with your hands on the guitar.

Now I really wish Boss/Roland had this...  In hindsight, a gap.

Note that of course you can also map that to modulation, or filter cutoff, or Q, etc.

Online description:
https://support.jamstik.com/hc/en-us/articles/360061090831-MPE-Explained-What-You-Should-Know-About-MPE-the-Jamstik-MIDI-Guitars

Manual, pg 10:
https://cdn.shopify.com/s/files/1/0348/1157/files/Jamstik_MIDI_Guitar_Manual.pdf?v=1689877602
#7

My observations, at age 15  I was fortunate to own  a 1965 Gibson ES-330, which due to restricted upper fret access, as a Lead Guitar player I traded for a 1961 Gibson SG Special which provided easy access to the upper frets.

This was in the late 1960s/  early 1970s when used Gibsons were traded for $200 in Chicago suburbs , regardless of model. ( I mowed many  lawns at $5 per lawn )
By age 19 I acquired a Les Paul and a Stratocaster - much prefered playing the Les Paul for its beefier tone and easier string bending -as I was in Chicago, and playing Mike Bloomfield style guitar was required to get work. As a result Ive developed Decades of muscle memory from playing on dark dimly lit stages with my Gibson guitars reinforce my preference for 24.75" scale length guitars.

Now that Im older (69)  I find Fenders in standard A 440 hz tuning a bit stiff for string bending , and bent string riffs with vibrato I pull off easily on my 24.75" scale Les Paul, require more effort and concentration to duplicate  on my 25.5" scale Fender guitars. Couple that with senior hand /muscle ailments has me reassessing the guitar I play on stage with my current band , often play 4 hour gigs.

The PRS is a 25" scale and closer to the Gibson experience,  but as I get older - either I tell the Bass player to tune down to Eb - so I can play my Fenders tuned down to Eb, or just start playing my 24.75"  Gibsons again as main guitar to continue my active live performance  music career
https://www.vguitarforums.com/smf/index.php?topic=6125.450#msg269199
#8
Hmmm. Might make a good road trip guitar along with a laptop running a poly Moog modular. :)
#9
https://web.archive.org/web/20141112202026/http://www.stewmac.com/How-To/Online_Resources/Fretting/Scale_Length_Explained.html

SCALE LENGTH EXPLAINED


Finding your scale length, how it affects tone, and more.

WHAT IS SCALE LENGTH?
A guitar's scale length is calculated by measuring the distance from the front edge of the nut, where it butts against the end of the fingerboard, to the center of the 12th (octave) fret, then doubling that measurement.

If your 1930's Gibson L-OO, for example, measures 12-3/8" at the 12th fret, then your guitar's scale length is twice that—a 24-3/4" scale. For good intonation, the guitar's saddle will be placed so a little extra string length is added. This extra length is called "compensation," and it means the actual string length is longer than its 24-3/4" scale measurement. At the center of the saddle it will be closer to 24-7/8". Compensation varies for different strings, and that's why your saddle is placed at an angle.       

Need help computing or laying out a fret scale? Our online Fret Calculator will do the math as well as help you locate your bridge correctly.
https://web.archive.org/web/20141119000446/http://www.stewmac.com/FretCalculator



HOW SCALE LENGTH AFFECTS TONE

Fender
One of the most common scale lengths is the Fender 25-1/2" guitar scale. Found on Stratocasters®, Telecasters®, and the huge variety of instruments inspired by them as well as the replacement, and custom parts available for them.

The 25-1/2" produces a rich, strong, bell-like tone, and defined low-end.

Gibson
The Gibson 24-3/4" scale is also very common, but it is also the most confusing of all scale lengths—this is because it rarely ever measures out to be 24-3/4 inches! This scale has gradually changed over the past fifty or so years due to changes in production equipment.

Being shorter than the Fender 25-1/2" scale, the Gibson 24-3/4" scale has a lower tension/easier to play feel, and a warmer tone.

PRS, Dobro, & National
When luthier Paul Reed Smith was developing his now highly desirable guitars, he was looking to capture the harmonic richness of the Fender electric's tone as well as the fullness, warmth, and playability of the Gibson electric guitars. PRS opted for a scale length of 25", which is also found on Dobro and National guitars.

The bass strings on a 25" scale are fuller sounding than some 24-3/4" instruments, which can sometimes sound muddy. The treble strings are not only easier to bend than on a 25-1/2" scale, but also have a warmer, and fuller tone.
#10
Yes, it's definitely the Alp LEAF.