2018 Winter NAMM Jan 25-28

[whippinpost91850]

Like I died and went to lefty heaven

[Majiken]

I find no details on the DV Cab 112/60, even on their website.  Wanted to compare it to my Cube 100 Bass amp, which is no longer built but readily available used, and whih I find to be an incredible sleeper of a Swiss Army audio knife! Described elsewhere, it's a bass amp with a 12" coax speaker; I get perfect results using it as that, FRFR monitor for my GP10 plus anything else I throw at it, a stage monitor for any aux signal or as a midfield studio speaker- I would not hesitate to mix a CD with it. When necessary, I use a small Monacor low-z to high-z adapter (XLR-female input, 6.3 mono jack output, switchable hi and lo impedance), no hum or buzz issues so far.  I can't imagine the Markbass would improve on that, but willing to be corrected- guess I'll need to wait a bit longer....

[mchad]

Some sort of multi effect from Line 6. No amp modelling.

https://www.gearnews.com/namm-2018-line-6-hx-effects-leaked/

No LCD display???

[admin]

Its the new Line-6 HX FX

Has scribble strips above each foot switch



ite. More info

GEARNEWS
Facebook
NAMM 2018: Line 6 HX Effects processor leaked
Line 6 Multi Effect leaked ahead of NAMM Show release
Line 6 HX Effects Leaked NAMM 2018
Line 6 HX Effects Leaked before NAMM 2018  ·  Source: Line 6/The Gear Page

A brand new Line 6 'Helix' style effects unit has leaked and it looks pretty sweet, we don't have any official details of course, but we have found some cool pics to share...

Line 6 HX Effects
The rumour mill has been going crazy for weeks about a new Line 6 product launching at the NAMM Show later this week. It looks like the rumours were on the money as we now have some leaked pictures of the new Line 6 HX.

Okay, details are very scant, but we have a listing taken from Guitar Centre that says that it combines over 100 Helix effects, with 9 simultaneously.

This is a great news, as the Line 6 Helix effects are brilliant in my opinion and I can see why people would want them. I have to say that more often than not I use my Helix LT as a glorified effects multiprocessor because the quality is so good.

Specifications
Of course, nothing is official yet as this is a leak, however, you can see it has the capacitive footswitches of the Helix and the LED rings around the footswitches, plus the scribble strips – basically everything you need to make this possibly one of the most versatile effects units of 2018.

It looks like there is no foot controller built in, which is a pity, but we should know a lot more by the end of this week!

RRP – USD 599.95
https://www.thegearpage.net/board/index.php?posts/25658895/

[drjoness2001]

I am currently planning on being there Friday...

[admin]

MIND Music Labs - Sensus Guitar at 2018 Winter NAMM Booth # 14026
https://www.namm.org/thenammshow/2018/directory
https://www.facebook.com/mindmusiclabs/

https://www.vguitarforums.com/smf/index.php?topic=16774.0

[admin]

Milkman Sound Amplifiers  at 2018 Winter NAMM Booth # 3237
https://www.gearnews.com/namm-2018-milkman-sound-amp-full-valve-amp-pedal-format/

NAMM 2018: Milkman Sound's The Amp is (nearly) a full valve amp in pedal format
A new boutique 50-watt valve amp in pedal format
Milkman Sounds The Amp. 50-watt amp in a pedal
Milkman Sounds The Amp. 50-watt amp in a pedal  ·  Source: MilkMan Sounds/YouTube

Milkman Sound is presenting a new valve amp in a pedal enclosure at the NAMM Show this year – and it looks like it has a few useful features packed into its (just about) pedalboard-compatible format.

The Amp
This is a 50-Watt power amplifier, which we reckon is Class-D, powered by a 12AX7 in the preamp-stage and has Class-A interconnection.

It comes with a basic 2-band EQ offering bass and treble; there's also a volume control. Added to this is a master output and three other controls that change the parameters for the built-in Reverb and Tremolo effects using controls labelled Reverb, Depth and Rate.

With outputs on Speakon rated for 50 Watts at 8 Ohms and 100 Watts at 4 Ohms as well as an XLR-Out (Line) and jack output for headphones, there's enough connectivity to go around. There is also a 'pedal-level' output on the amp effect so you can use it on the pedalboard as well, which is really handy and makes it a lot more versatile.

Milkman Sounds
In my opinion, the USD 799 isn't exactly cheap – but it is a boutique unit and so it will probably be built in relatively small numbers. You's also expect the build quality to be good. The success of The Amp will be determined by its sound and how it reacts to player dynamics. I look forward to hearing some reviews soon.

I would be seriously tempted to just use a Line 6 Helix LT if I was worried about carrying less stuff, or perhaps even a Taurus Stomp-Head 5 if I wanted to stick with valves.

For now, I have linked to the official demo video below, which gives a very basic preview/overview of The Amp, but unfortunately, it's quite superficial, so there's not much to sink your gear addict teeth into. What you do get to hear does sound rather nice, though.

RRP – USD 799

More Information
Product Page
https://milkmansound.com/collections/amplifiers/products/the-amp

[admin]

http://www.musicradar.com/news/namm-2018-fishmans-new-loudbox-mini-charge-is-a-properly-portable-acoustic-amp







NAMM 2018: Fishman's new Loudbox Mini Charge is a properly portable acoustic amp
By MusicRadar 8 hours agoAcoustic

60W Loudbox Mini gets onboard rechargeable battery




NAMM 2018: Acoustic pickup, pre-amp and amp specialist Fishman has announced the immediate release of the Loudbox Mini Charge battery-powered acoustic instrument amplifier, a rechargeable, lightweight unit designed with portability in mind. We rate Fishman's already-convenient mains-powered Loudbox Mini, so have high hopes for the Charge.

The Loudbox Mini Charge has dedicated Instrument and Mic channels with Input Gain controls, alongside Bluetooth wireless capability. Fishman claims the rechargeable battery has a life of 12 hours "at average volume", while the amp also boasts inbuilt digital reverb and chorus.

A full line of Loudbox Mini Charge accessories includes a Deluxe Carry Bag, 12V Car Charger, and US and International wall chargers. For more information about Fishman and the Loudbox Mini Charge visit www.fishman.com.


Loudbox Mini Charge specification

• Rechargeable battery power
• Bluetooth® 4.0 Connectivity
• Dedicated Instrument and Mic Channels with Input Gain Controls
• Mix D.I. output
• Digital Reverb & Chorus
• 1/8" Auxiliary Input
• Balanced XLR D.I. output
• Lightweight & Portable

POWER: 60 Watts with Master Volume
DRIVERS: Woofer 6.5" paper cone - Tweeter 1" soft dome
SPL: 108dB SPL at 1 meter
SPEAKER BAFFLE: 10° built-in tilt
FREQUENCY RESPONSE: 80Hz – 20kHz
BATTERY LIFE ESTIMATE: 18 hours (low volume) - 12 hours (average volume) - 4 hours (full volume)
BATTERY CHARGE TIME: 10 hours
CONNECTIVITY: Bluetooth® 4.0
DIMENSIONS: 12" H x 13.7" W x 9.7" D (305 mm x 349 mm x 247 mm)
WEIGHT: 21.2 lbs (9.6 kgs)
WALL CHARGER: Included

[admin]

SlideWinder Corporation at 2018 Winter NAMM Booth # 1253


https://slidewinderring.com/

[admin]

http://www.tarasguitars.com/





NOTHING HAS CHANGED - AND EVERYTHING  HAS CHANGED...

The new convex profile 'super' fretboard lets you reach an entire matrix of note positions that are simply not possible to attain on a conventional straight guitar neck.

This means:
You can find new sounds - 'new notes' - and new string-bend combinations when the frets are extended and strings are bent away...

[admin]

https://translate.google.com/translate?sl=auto&tl=en&js=y&prev=_t&hl=en&ie=UTF-8&u=https%3A%2F%2Fwww.bonedo.de%2F&edit-text=

https://translate.googleusercontent.com/translate_c?depth=1&hl=en&ie=UTF8&prev=_t&rurl=translate.google.com&sl=auto&sp=nmt4&tl=en&u=https://www.bonedo.de/artikel/einzelansicht/namm.html&usg=ALkJrhhbKqnVV3b-cgNYc3vAQXMZTNUYOw

Cherry Audio at 2018 Winter NAMM Booth # 19212



Voltage Modular (Image: provided by Sonicstate)

Cherry Audio - a new US company - made up of the creative minds of Sonic Foundry, Cakewalk, Bias and Acoustica, promises to surprise NAMM under the name 'Voltage Modular'.

Even the video teaser titled "Prepare to be shocked" should generate great excitement. We are very curious about what might come.

https://cherryaudio.com/

[admin]

AP International (KTS Titanium Bridge parts )     Booth #   5629

https://kts-america.com/


https://kts-america.com/pages/sound-analysis

SOUND ANALYSIS
Sound Analysis
A frequency analysis of No.1-6 strings of a guitar using the conventional type bridge (zinc die cast saddle) and a guitar using the new Ti bridge was performed, and the results(sonagraph and long-time FFT spectrum) were compared.

*Extract from analysis (Ti=left side)

Frequency Analysis : Japan Acoustic Lab.



Results of high E string frequency analysis comparing titanium and steel saddles (sonagraph)
[/img]
Left：Ti Saddle                    Right：Steel Saddles

In comparsion with the conventional type, the reverberation times of the fundamental and the second higher harmonic are extended by approximately 20% with the Ti bridge. Moreover, with the conventional type, the third higher harmonic shows an unstable vibration, in which the sound is interrupted or amplified one time. However, with the Ti bridge, vibration is substantially stable.



Results of D string frequency analysis comparing titanium and steel saddles (sonagraph)

Left：Ti Saddle                    Right：Steel Saddles

In comparison with the conventional type, in particular, the reverberation time of the second higher harmonic is extended by approximately 12%. With the conventional type, in the fundamental, second, third, and fourth higher harmonics show an unstable vibration, in which the sound is interrupted or amplified one time, but with the Ti bridge, vibration is substantially stable.



Results of A string frequency analysis comparing titanium and steel saddles (sonagraph)

Left：Ti Saddle                    Right：Steel Saddles

In comparison with the conventional type, in particular, the reverberation times of the second and third higher harmonics are extended by approximately 20%, and that of the fourth higher harmonic is extended by 120%.



B string frequency analysis comparing titanium and steel saddles (long-time FFT spectrum)

Left：Ti Saddle                    Right：Steel Saddles

With the conventional type, the sound pressure level of the third higher harmonic is approximately 8db larger than that of the second higher harmonic, and shows unnatural irregularities in the envelope. In comparison, with the newly developed type, the difference in the sound pressure level of the third higher harmonic and second higher harmonic is approximately 1db, and virtually no unnaturalness can be seen in the envelope.



G string frequency analysis comparing titanium and steel saddles (long-time FFT spectrum)

Left：Ti Saddle                    Right：Steel Saddles

With the conventional type, the difference in the sound pressure level of the third higher harmonic and fourth higher harmonic changes gradually, at approximately 13db, but the difference in the sound pressure level of fourth higher harmonic and fifth higher harmonic changes suddenly, at approximately 17db. In contrast, with the newly developed type, the difference in the sound pressure level of the third higher harmonic and fourth higher harmonic is approximately 15db, and that of the fourth higher harmonic and fifth higher harmonic is approximately 10db. There is no unevenness in the envelopes, witch slope gently downward to the right.



Conclusion
From the above results, in comparison with the conventional type, the sound pressure level gradually becomes smaller as the frequency increases with the newly development Ti bridge, and the envelopes of the frequencies show a gentle downward slope to the right. These results show that, in comparison with the conventional type, when the newly developed Ti bridge is used, the low sound region of the generated sound becomes wider, and the feeling of "depth" increases. From a comparison of audibility, in comparison with the ordinary type bridge, when the newly developed Ti bridge is used, there is an overall lengthening of sustain, and it is possible to obtain the effect of using a guitar body with good resonance, even when using an ordinary resonance body.

[Smash]

Titanium is the new brass

[admin]

https://www.kvraudio.com/namm-2018

[admin]

[admin]

[admin]

http://tiptopaudio.com/
TipTop Audio Station 252HP Folding Case - Black Widow Details
The TipTop Audio Station 252HP Folding Case is a portable case designed to accommodate a wide range of Eurorack modules. The TipTop Audio Station provides you with the means to carry and power your modules in this handy, foldable case. This makes your modular setup become the ultimate digital instrument, with an ergonomic design for quick and easy access to all your patch points and parameters. The case can be folded down and ready to carry in one hand within minutes. The Audio Station Folding Case is also designed to fit in an overhead airplane compartment, for the travelling musician. It provides you with a total of 252HP of module space, comprised of three rows of 84HP. The hardwired ZEUS Studio Bus power supply ensure slow-noise and optimal audio performance.
Product Ref: 94894
http://www.tiptopaudio.com/s252.php

[admin]

https://www.gearnews.com/namm-2018-audient-outs-id44-20in-24out-usb-audio-interface-console-grade-preamps/









https://audient.com/products/audio-interfaces/id44/overview/

The Classic Audient Sound with Console Mic Pres & Class Leading Conversion

Inspired by our 20 years of expertise in analogue hardware design, iD44 is our most powerful audio interface yet. Featuring four Audient console mic pres, class-leading converters, ADAT expandability and more, iD44 delivers the audio performance of an an Audient console on your desktop, giving you the professional sound you deserve

NAMM 2018: Audient intros iD44 20in/24out USB audio interface with console-grade preamps
Audient ID44
·  Source: Audient

Audient ID44
·  Source: Audient

Audient ID44 - back
·  Source: Audient

Audient ID44
·  Source: Audient

Audient ID44
Audient ID44
Audient ID44 - back
Audient ID44
PreviousNext
Following up last Friday's teaser announcement, British brand Audient unveiled its new ID44 audio interface. Our prediction that the company intends to bring more inputs and outputs to its product range, filling an obvious gap in its catalog, turned out to be correct. The iD44 offers an imposing 20 inputs and 24 outputs, introducing the brand's coveted proprietary preamps and choice of Burr Brown AD/DA converters to owners of bigger studios. There's lots to reflect upon in this device, so let's have a look!

Preamps
Continuing the iD line's design language, the iD 44 is quite compact for what it is, made of aluminum, and styled in black & silver. It has four of Audient's Class-A mic preamps, ripped straight out of the company's flagship recording console – the ASP8024HE. They deliver up to 70dB of gain, which is enough to power even gain-hungry dynamic microphones like the notorious Shure SM7. The original preamp design by David Darden from DDA & Advision Studios dates as far back as 1997. It can be described as clean and punchy, with a bit of added character as to impart some pleasant musicality to the signal that your typical "transparent" preamp might be too clinical to deliver. At the heart of Darden's design is the recreation of a specific transistor, originally designed for record player preamps. Overall, you can count on the iD 44 to sound like a console- not exactly an SSL, Neve, or API, but a more modern spin on the coveted analog character that everyone, ironically, seems to be after in the digital era!

Converters
Once more, Audient chose Burr Brown AD/DA converters, the same ones which it has been using for the rest of the iD line and its ASP recording consoles. The company has a liking for these converters, choosing them after deliberate testing & listening and proclaiming they are among the best available. While conversion quality is up to much debate, due to the intricacies of discerning miniscule differences in quality despite the human ear's limitations, Burr Brown converters are generally well-regarded as approaching the conversion quality that brands like Apogee and RME are known for.

Connectivity and expansion
Audient outfitted the iD44 with two optical inputs and outputs that support both ADAT and S/PDIF. This way, the iD44 can be expanded with up to 16 channels of mic preamps for bigger recording sessions. Furthermore, there's a word clock output, four line outputs, inserts with Send/Return jacks, and a pair of D.I. inputs. The latter are designed to simulate the input stage of a "classic" tube amp, giving recorded guitars, bass, synths, and other analog signals a warm welcome. Finally, there are two separate headphone outputs, each with a dedicated stereo amplifier and DAC. This lets you set up separate cue mixes through the iD44's stereo outputs with the best possible sound quality.

Audient ID44 - back

Monitoring
The iD44 has extensive monitoring capabilities with its dedicated talkback, cut and dim buttons, polarity switching, mono, speaker select, and cue mix on board. The talkback technology, in particular, lets one use any audio source connected to the computer – perhaps its built-in microphone, or an external USB mic – for talkback. This frees up the mic preamps for actual recording. Furthermore, Audient made it so that all monitoring functions can be assigned to three programmable function buttons, skipping typical routing matrix and other menu-heavy software facilities for actual hardware control. It's a nice display of forward-thinking engineering that illustrates Audient's goal of cramming as much from its analog mixing desks as possible into its desktop audio interfaces.

Software
Of course, a modern audio interface won't stand a chance if it didn't come in pair with some slick software for routing and mix control. Audient's iD Mixer tool allows the creation of up to four stereo artist cue mixes with naming and channel customization, user presets, button assigning, and other features to let users have an easier time using the device.

Speaking of software and user interfacing, Audient added a clever and modern touch of functionality to the iD44's panel. The volume encoder can become a virtual scroll wheel, suitable for use within a DAW for tasks like dialing in settings, adjusting faders, and drawing automation.

Finally, Audient bundled a Creative Hub subscription that sets iD interface owners up with a hearty bunch of software, such as Cubase LE, Eventide's Ultrachannel and Ultraverb plug-ins, free courses from Producertech, mastering from LANDR, and more stuff for producers to sink their teeth in.

Price and availability
The Audient iD44 is available now for pre-order at select retailers, priced at 577 USD. The price tag is a point of interest, as 500 to 600 USD audio interfaces rarely feature extensive connectivity, console-quality preamps, and aluminum builds. The iD44 has all that, which turns it into a very compelling choice for a mid-range audio interface that would feel at home inside studios of all sizes – except the really large ones. For some, there might be a tough choice between the iD 44 and other new interfaces announced at NAMM – such as Universal Audio's sub-500 USD Arrow 2 x 4 interface, PreSonus' new rack interfaces, or Focusrite's Clarett USB range. Competition in the mid-market is super tough at this year's NAMM, which is good for consumers and a serious headache for manufacturers. Still, Audient doesn't seem disheartened – it's firing on all cylinders, delivering more of its well-respected technology in a bigger, better package.

More information.

[admin]

https://mifocus.co.uk/category/news/
https://mifocus.co.uk/category/news/page/2/

[admin]

https://mifocus.co.uk/2018/01/08/rolis-new-lightpad-block-m-available-now-through-sound-technology/


ROLI has introduced its new Lightpad Block M music-making device.

Available new through UK distributor Sound Technology, the Lightpad Block M is the next generation of the Lightpad Block – a surface for sonic control that first launched in November 2016.

Music-makers can recreate the sounds of drums, cellos, flutes, uplifting synths, and hundreds of other instruments just by touching the Lightpad Block, which is both a palm-sized music-making device in its own right, and a piece of ROLI's expandable BLOCKS system.

Advancements of the Lightpad Block M include:

Microkeywaves. Inspired by the wave-like undulation of keywaves on the surface of ROLI's Seaboard instruments, the microkeywaves of the Lightpad Block M provide additional tactile feedback on an already sensitive surface.

A redesigned silicone surface layer. A deeper, softer silicone layer — topped with 225 microkeywaves — enhances the pressure-responsive control of sound that the Lightpad Block is known for.

Brighter surface illumination. The Lightpad Block M is 50% brighter than the original Lightpad Block. It features a higher contrast display and a much richer range of colour definition.

Ableton Live Lite: A customised version of Ableton Live, the acclaimed digital audio workstation (DAW), is now included with every Lightpad Block. Integration with Ableton Live Lite transforms the Lightpad Block into a versatile control surface for launching clips, controlling instruments, and creating tracks within Ableton Live.

Strobe2 Player: A desktop sound player version of the acclaimed polysynth from FXpansion. Strobe2 Player is fully compatible with MIDI Polyphonic Expression controllers like the Lightpad Block M. Explore 50 presets and 3 macros from Strobe2 — and upgrade to the complete Strobe2 synth for $79. Now available to all Lightpad Block and Seaboard Block owners.

The ROLI Lightpad Block M is available now priced at £189.95 inc VAT.

The original Lightpad Block remains available priced at £169.95 inc VAT.

https://roli.com/

https://roli.com/products/blocks/lightpad-m

[vtgearhead]

Just - silly - expensive for what it is ($225-250!).  If I needed one I'd build it myself.

[admin]

https://www.thegearpage.net/board/index.php?threads/suhr-singlecut-launched-at-namm.1905057/

[admin]

Industrial Radio Solange 6 MIDi Guitar at 2018 Winter NAMM @ booth #3439
https://www.vguitarforums.com/smf/index.php?topic=6078.msg41708#msg41708

http://www.industrialradio.com.au/products/solange-6-midi-guitar.html

Industrial Radio
3439
Industrial Radio is the leader in MIDI technology for bass and guitar. Our proprietary Fretsense™ ( Wired fretboard) MIDI conversion technology provides industry-leading low latency MIDI conversion.

Categories: Computer, Fretted Instruments Electric, Fretted Instruments
http://www.industrialradio.com.au
www.facebook.com/industrialradio/
www.twitter.com/ir_guitars
42 Wattle St.
Ultimo, NSW 2007 AUS

Tel: 61-401145173
contact@industrialradio.com.au


With 35 years experience in MIDI bass design Industrial Radio is proud to release the Solange 6 MIDI guitar.

The Solange 6 is without a doubt the most advanced midi guitar system on the planet, designed to deliver the best performance possible using IR's Fretsense™ MIDI conversion technology which has never been seen before in a real 6-string electric guitar.

Industrial Radio's proprietry Fretsense technology reads pitch directly from the frets rather than using outdated pitch-to-voltage techniques.

Combining the Fretsense technology with the new RadioPick™ triggering and Imprint dynamics processing the Solange 6 delivers a MIDI guitar performance never experienced before.

The Solange 6 is a high quality USA / Australian made instrument delivering a great low noise magnetic sound plus access to the individual piezo outputs via the FSI-1 Fretsense Interface.

Guitarists can finally compete with keyboardists on an equal footing and take electronic music in totally new directions, delivering a new rythmic guitar approach to synth music.

BASE PRICE
US$3,950.00*

* Price includes Solange 6 MIDI guitar, Fretsense™ Interface (FSI-1), Fretsense cable, SKB bass case, power supply & miscellaneous accessories for instrument care. Some options incur addtional charges. Price does not include shipping and duties. Australian customers required to pay 10% GST.

BUILD TIME: 6 MONTHS
Current build time for a Solange 6 MIDI Guitar is 6 months.
The deposit for a Solange 6 MIDI Guitar is US$1500.00.
GUITAR SPECIFICATION
The specification (not including additional options).

MODEL   Solange 6 MIDI Guitar
BODY FINISHES   See below
BODY WOOD   Alder or Swamp Ash
NECK   Rock Maple with walnut skunk strip
NECK SHAPE   Medium shape C, similar to American Fender Stratocaster® or Telecaster®
FRETBOARD   Pau Ferro
with polycarbonate fingerboard overlay
SCALE LENGTH   25.5" (647.7mm)
TRUSS ROD   Single rod design (HEX key adjustment), adjustment is located on the headstock through a walnut plug
NUT WIDTH   1 11/16" (42.9mm)
NECK DEPTH AT 1ST FRET   0.800" (20.3mm)
NECK DEPTH AT 12TH FRET   0.850" (21.6mm)
FINGERBOARD RADIUS   9.5" (241.3mm)
NO. OF FRETS   21
FRETS   Industrial Radio split frets, Jescar fretwire
NUT   GraphTech TUSQ®
PICKUPS   3 x Active: EMG SA (Alnico) in Black/White/Ivory
POWER   9 volt battery, in compartment on back of the instrument. Powered via the 15-pin cable when connected to the FSI-1
BRIDGE   Fixed tail, incorporating 6 microflex sensors for string pitch bend detection
SADDLES   GraphTech piezo saddles with string spacing of 10.8mm
PICKGUARD OPTIONS   Black, White, Tortoise Shell, Red Tortoise Shell, Mint, Parchment, Black Pearloid, Dark Black Pearloid, White Pearloid (all 3-ply)
CONTROLS   Volume, Tone, MIDI volume, 5-way pickup selector switch, Preset Select switch
CONNECTIONS   15-pin connector for Fretsense cable,
Standard 1/4" audio output jack
WARMOTH BUILD

All Solange 6 bodies and necks are constructed by USA company Warmoth Guitar Products. The Solange 6 bodies are completely fabricated and painted by Warmoth while the necks are fabricated but are provided unfretted and unpainted so that we can perform the necessary processes to make them Fretsense™ necks, including fretting, splitting the frets, and wiring the frets. Warmoth have been building guitars for decades and their craftsmanship is very high. They provide an astounding range of finishes and customisable options.

GUITAR OPTIONS
While we don't offer all the possible wood types, finishes and options that are on offer at Warmoth we can provide several options.

BODY FINISHES
We can provide the bulk of finishes that Warmoth offer though there are a few exceptions. The best way to discover and decide what you want is to check out Warmoth's finishes page and let us know via email what finishes you prefer and we will take it from there.

LAMINATE TOPS
You can also add a laminate top to your order (Add $115.00). The following woods are available.

Koa
Flame Maple
Quilted Maple
Walnut
ACCENTS
Various accent options can be achieved by masking areas of the wood or adding contrasting coloured woods to laminate. These options either require or are especially suited for orders with laminate top option. For more information contact us.

Natural Wood Masked Accent (Add $115.00)
Light Wood Laminate Accent (Add $30.00)
Dark Wood Laminate Accent (Add $30.00)
PICKUPS
For an added cost we can use EMG SAX (Alnico X Series) in Black/White/Ivory instead of EMG SA.

[Rhcole]

http://www.industrialradio.com.au/products/solange-6-midi-guitar.html


OK! NOW, you're talking!

[Elantric]

http://www.industrialradio.com.au/products/solange-6-midi-guitar.html


OK! NOW, you're talking!

The wired fret neck is too thin for me

and no option for a different profile.

NECK DEPTH AT 1ST FRET   0.800" (20.3mm)
NECK DEPTH AT 12TH FRET   0.850" (21.6mm)