EHX - Oceans 12 Reverb - Bill Ruppert demo

Started by mchad, February 26, 2020, 02:29:07 PM

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https://www.ehx.com/products/oceans-12
Oceans 12 Dual Stereo Reverb


Shipping around the third week of March 2020.

The Oceans 11's big brother with even more reverbs and functionality. It features two simultaneous, independent, stereo reverb engines, series and parallel control for the dual reverbs, 24 presets and advanced I/O allowing for stereo in/out or mono send/return with pre and post reverb options. The pedal also includes a new Tide Control for stereo image alteration, a Lo-fi Control, an infinite attenuation control and an input jack for external expression and 3-button footswitch control.

A Tails switch provides a choice of whether the reverb effect fades out naturally or stops immediately when the pedal is switched to bypass. In most settings the pedal is also capable of producing infinite reverb which can be played over with a different reverb effect. Comes equipped with a standard EHX 9.6DC200mA power supply.

The Oceans 12 is a processing powerhouse!

The Oceans 12's reverbs are:
• ROOM – two modes: reverb algorithms modeled after a lively room and a spacious performance hall
• SPRING – two modes: vintage 1962 Fender® 6G15 tube reverb emulation and the spring algorithm from the EHX Holy Grail
• PLATE – two modes: two emulations of the smooth, metal plate reverb often used in high-end recording studios during the 1960s and '70s
• REVERSE – two modes: a reverse reverb effect as well as true reversed echoes
• ECHO – three modes: a digital delay with various echo rhythms feeding into a plate reverb
• TREM – three modes: a classic, periodic volume envelope with various shapes applied to both the wet and dry mix of a hall reverb
• MOD – three modes: combinations of chorus and flange reverbs that create rich reverb tails
• DYNA – three dynamic, experimental reverb algorithms: swell, gate and duck
• AUTO-INF – three modes: auto-infinite reverb (w/optional chorus or flange) that "listens" to your playing and crossfades to a new reverb wash upon detection of newly struck notes.
• SHIMMER – two modes: two configurations of a rich octave-shifted reverb wash
• POLYPHONIC – two modes: two configurable bi-directional pitch shifts that add dimensionality to the reverb tail
• RESONANT – two modes: reverb excited by tunable resonators and configurable self-oscillating filters on the reverb tail

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Quick Specs
• 2 simultaneous, independent, stereo reverb engines
• Series and parallel control for the dual reverbs
• 24 presets
• Stereo in/out or mono send/return with pre and post reverb options
• Tide Control for stereo image alteration
• Lo-fi Control
• Infinite attenuation control
• Tap tempo to set your pre-delay time, echo time and more
• Input jack for external expression and 3-button footswitch control
• Equipped with a standard EHX 9.6DC200mA power supply




Electro-Harmonix introduces the Oceans 12 featuring two simultaneous, independent, stereo reverb engines, series and parallel control for the dual reverbs, 24 presets and advanced I/O allowing for stereo in/out, splitting reverbs to left and right channels, or mono send/return with pre and post reverb options. The pedal also includes a new Tide Control for stereo image alteration, a Lo-fi Control, an infinite attenuation control and an input jack for external expression and footswitch control.

The Oceans 12's reverbs types are as follows:
• ROOM – two modes: reverb algorithms modeled after a lively room and a spacious performance hall
• SPRING – two modes: vintage 1962 Fender® 6G15 tube reverb emulation and the spring algorithm from the EHX Holy Grail
• PLATE – two modes: two emulations of the smooth, metal plate reverb often used in high-end recording studios during the 1960s and '70s
• REVERSE – two modes: a reverse reverb effect as well as true reversed echoes
• ECHO – three modes: a digital delay with various echo rhythms feeding into a plate reverb
• TREM – three modes: a classic, periodic volume envelope with various shapes applied to both the wet and dry mix of a hall reverb
• MOD – three modes: combinations of chorus and flange reverbs that create rich reverb tails
• DYNA – three dynamic, experimental reverb algorithms: swell, gate and duck
• AUTO-INF – three modes: auto-infinite reverb (w/optional chorus or flange) that "listens" to your playing and crossfades to a new reverb wash upon detection of newly struck notes.
• SHIMMER – two modes: two configurations of a rich octave-shifted reverb wash
• POLYPHONIC – two modes: two configurable bi-directional pitch shifts that add dimensionality to the reverb tail
• RESONANT – two modes: reverb excited by tunable resonators and configurable self-oscillating filters on the reverb tail



A Tails switch provides a choice of whether the reverb effect fades out naturally or stops immediately when the pedal is switched to bypass. In most settings the pedal is also capable of producing infinite reverb which can be played over with a different reverb effect.

The Oceans 12 comes equipped with a standard EHX 9.6DC200mA power supply and is shipping around the third week in March.

aliensporebomb

I really like the way the pedal sounded.   I loved the David Gilmour-esque intro and outtro to the video too - was that the Kemper producing the overdrive?  Great sounding Gilmour-esque tones! 
My music projects online at http://www.aliensporebomb.com/

GK Devices:  Roland VG-99, Boss GP-10, Boss SY-1000.

Bill Ruppert

Quote from: aliensporebomb on February 27, 2020, 08:56:30 PM
I really like the way the pedal sounded.   I loved the David Gilmour-esque intro and outtro to the video too - was that the Kemper producing the overdrive?  Great sounding Gilmour-esque tones!

Hi Todd
That was a Sovtek Deluxe Big Muff Pi.
I just started using it and was knocked out by how different it sounds than other Muffs. Its FAT like a sax but you can still play through it with some speed. Very amp like and less fuzz like.
The clean stuff was the SY-300 and some SY-1000!